![](\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/207.0a.jpg\")
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Assorted carpets series<\/p>\n
31\/10\/2002 to 30\/11\/2002<\/p>\n
With the utmost respect for imperfection and against the culture of rejection of differences and defect and also against the myth of perfection, fed by industrial design, Deanna Comellini restores a creative value to imperfection, whose maximum expression is even linked to the wisdom of the craftsman who makes the object.<\/p>\n
When four-fifths of the population live in conditions of subsistence and submission and 80% of the labor force is unskilled, mass production should be rethought. Deanna’s “imperfect design” seems to be more humane, truer, more authentic, and certainly more suited to the times.<\/p>\n
In the world of the global economy, with its democratic perspectives, diversity is a fundamental value. It is in diversity that people’s dreams, enthusiasms and ideals are manifested.<\/p>\n
The “Kama Collection”; “CoconutRug Limited Edition” and “CoconutRug Extra Collection”, which will be on display at La Sala Vin\u00e7on from October 31 to November 23, 2001, propose a design and a study of proportions closely linked to the nature of the material: a line of color at the edge; a seam of large stitches that, like a scar, rejoins elements of the same nature but of different colors; a relief of tone on tone that becomes design: a gigantic weft in which the material, wrongly defined “less appreciated” recovers the beauty of its imperfection.<\/p>\n
The weavers in India who work with GT (Deanna Comellini and Michele Preti’s company) are also co-authors of what they do. Thus both the material, an extraordinary coconut dyed with non-toxic colors and hand-woven, and its thickness, its roughness, and the different behavior when the color varies, are also at the same time protagonists and authors.<\/p>\n
The carpets and curtains made by DC are objects that have the value of difference, even in mass production. The user will appreciate it even before assessing its functionality.<\/p>\n","protected":false},"excerpt":{"rendered":"
La Sala Vin\u00e7on. Deanna Comellini. Reivindicando La Imperfecci\u00f3n. 2002<\/p>\n","protected":false},"author":1,"featured_media":9838,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[175,149],"tags":[],"class_list":["post-9837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2002-en","category-exposiciones-la-sala-vincon-en"],"_links":{"self":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/9837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/comments?post=9837"}],"version-history":[{"count":3,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/9837\/revisions"}],"predecessor-version":[{"id":13275,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/9837\/revisions\/13275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media\/9838"}],"wp:attachment":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media?parent=9837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/categories?post=9837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/tags?post=9837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}