{"id":10879,"date":"1974-11-04T20:00:46","date_gmt":"1974-11-04T20:00:46","guid":{"rendered":"https:\/\/www.lasalavincon.com\/some-paintings-of-london-di-livey-1974\/"},"modified":"2022-05-27T10:11:50","modified_gmt":"2022-05-27T10:11:50","slug":"some-paintings-of-london-di-livey-1974","status":"publish","type":"post","link":"https:\/\/www.lasalavincon.com\/en\/some-paintings-of-london-di-livey-1974\/","title":{"rendered":"028 &#8211; Di Livey. Some paintings of London (1974)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/028.0a.jpg\" width=\"100%\" \/><\/p>\n<h1>Some paintings of London<\/h1>\n<h2>Di Livey<\/h2>\n<h3>04\/11\/74. (Sala 028)<\/h3>\n<p>A series of large paintings on printed canvas.<\/p>\n<p>Based on an informal language, Livey&#8217;s work is based on the constant repetition of an element, which in most cases is a rectangle. Sometimes she divides the surface of the canvas into a series of rectangles, equal to each other, separated by a field of color.<\/p>\n<p>Other times the rectangles are superimposed on each other, at a decreasing rhythm, until the last one is completely free.<\/p>\n<p>Other times, scarce in this exhibition, he made the same work from lines.<\/p>\n<p><b>La Sala Vin\u00e7on, November 1974<\/b><\/p>\n<p>Fernando Amat asked me if I would like to have an exhibition in his gallery in Barcelona. Of course I agreed at once. I knew Fernando through my friendship with Charles and Jane Dillon, who had worked in Barcelona in the early seventies as furniture designers. Bigas Luna was also a friend of Charles and Jane; he was a designer who later became a highly acclaimed Spanish film maker. He encouraged Fernando to offer me an exhibition in his gallery in Barcelona.<\/p>\n<p>Fernando&#8217;s shop was in the Paseo de Gracia, an elegant street full of Gaudi buildings. His shop sold avant garde furniture and household goods &#8211; this was rare at this time in Spain as the country was just emerging from decades of Franco&#8217;s repressive regime.<\/p>\n<p>The gallery space was at the back of the shop and had been a Spanish painter&#8217;s studio in the early twentieth century. It made an excellent space in which to exhibit. We agreed that I could show my work in November 1974. The show&#8217;s title &#8216;Algunas Pinturas de Londres&#8217; was meant to mean &#8216;Some Paintings from London&#8217;, but the title actually meant &#8216;Some Paintings of London&#8217;, which would have been very disappointing to anyone wanting to see figurative renditions of London.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The work I selected for the exhibition was made between 1972 and 1974. I chose some of the large printed canvases from 1972, newer work which combined latex and printed canvas and a latex piece called <i>Pinched Grid<\/i>.<\/p>\n<p>Di Livey<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_1.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_2.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_3.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_4.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_5.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_6.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_7.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_8.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_9.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_10.jpg\" width=\"100%\" \/><br \/>\n<img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/028_11.jpg\" width=\"100%\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Sala Vin\u00e7on. Di Livey. Some paintings of London. 1974<\/p>\n","protected":false},"author":1,"featured_media":10880,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217,149],"tags":[],"class_list":["post-10879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1974-en","category-exposiciones-la-sala-vincon-en"],"_links":{"self":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/comments?post=10879"}],"version-history":[{"count":4,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10879\/revisions"}],"predecessor-version":[{"id":14412,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10879\/revisions\/14412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media\/10880"}],"wp:attachment":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media?parent=10879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/categories?post=10879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/tags?post=10879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}