{"id":10705,"date":"1974-02-28T20:00:44","date_gmt":"1974-02-28T20:00:44","guid":{"rendered":"https:\/\/www.lasalavincon.com\/calatayud-wolf-vostell-1974\/"},"modified":"2019-12-20T11:22:04","modified_gmt":"2019-12-20T11:22:04","slug":"calatayud-wolf-vostell-1974","status":"publish","type":"post","link":"https:\/\/www.lasalavincon.com\/en\/calatayud-wolf-vostell-1974\/","title":{"rendered":"018 &#8211; Wolf Vostell. Calatayud (1974)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0a.jpg\" width=\"100%\" \/><\/p>\n<h1>Calatayud<\/h1>\n<h2>Wolf Vostell<\/h2>\n<h3>28\/02\/74. (Sala 018)<\/h3>\n<p>Exhibition held at the stage when Vostell was interested in covering elements in cement, as an act of protest on a visual level.<\/p>\n<p>The object\/drawings that made up the series were placed in thick black wooden frames, covered by a glass. The works were consecutively numbered, they were quite small in size and they were perfectly lined up straight along the gallery walls.<\/p>\n<p>The work consisted in displaying a photograph that reproduced a scene or element that implied violence: a bullfighter struggling with a bull, a policeman beating a knocked down youth, a sheet that reproduces the story of the killing of the Jews in Aragon in 1395; it covered part of the scene with a non-transparent screen and in the unreveiled part it included some element of drawing, a type of constructive element.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0b.jpg\" width=\"100%\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0c.jpg\" width=\"100%\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0d.jpg\" width=\"100%\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0e.jpg\" width=\"100%\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/018.0f.jpg\" width=\"100%\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Sala Vin\u00e7on. Wolf Vostell. Calatayud. 1974<\/p>\n","protected":false},"author":1,"featured_media":10706,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217,149],"tags":[],"class_list":["post-10705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1974-en","category-exposiciones-la-sala-vincon-en"],"_links":{"self":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/comments?post=10705"}],"version-history":[{"count":2,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10705\/revisions"}],"predecessor-version":[{"id":11702,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/posts\/10705\/revisions\/11702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media\/10706"}],"wp:attachment":[{"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/media?parent=10705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/categories?post=10705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/en\/wp-json\/wp\/v2\/tags?post=10705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}