{"id":11019,"date":"1975-12-09T20:00:47","date_gmt":"1975-12-09T20:00:47","guid":{"rendered":"https:\/\/www.lasalavincon.com\/esculturas-richard-wentworth-1975\/"},"modified":"2022-05-27T10:26:43","modified_gmt":"2022-05-27T10:26:43","slug":"esculturas-richard-wentworth-1975","status":"publish","type":"post","link":"https:\/\/www.lasalavincon.com\/ca\/esculturas-richard-wentworth-1975\/","title":{"rendered":"044 &#8211; Richard Wentworth. Esculturas (1975)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/044.0a.jpg\" width=\"100%\" \/><\/p>\n<h1>Esculturas<\/h1>\n<h2>Richard Wentworth<\/h2>\n<h3>09\/12\/75. (Sala 044)<\/h3>\n<p>Escultures<\/p>\n<p>Del 12 de desembre al 5 de gener<\/p>\n<p>Richard\u00a0Wentworth\u00a0ha tingut un paper fonamental en la \u201cNew\u00a0British\u00a0Sculpture\u201d\u00a0des de finals dels anys 70. La seva obra altera la definici\u00f3 tradicional d&#8217;escultura i fotografia, transformant i manipulant objectes industrials o <i>trobats<\/i> en obres d&#8217;art, trencant tamb\u00e9 el sistema convencional de classificaci\u00f3. La seva obra juga amb la noci\u00f3 de\u00a0ready-made\u00a0i la juxtaposici\u00f3 d&#8217;objectes que no tenen relaci\u00f3 entre ells.<\/p>\n<p>A La Sala va presentar 17 peces.<\/p>\n<p>&#8211;\u00a0Cliff, 1975 (Penya-segat)<\/p>\n<p>&#8211; Filera\u00a0Stencilla, 1975. Joc fon\u00e8tic de l&#8217;autor entre les paraules\u00a0Stencil\u00a0(Grimpa o Plantilla i la paraula en espanyol Senzilla.<\/p>\n<p>&#8211; Baker\u2019s\u00a0Dozen\u00a0(Dotzena de forners) en angl\u00e8s representa 13 unitats.<\/p>\n<p>&#8211; Long\u00a0before,\u00a0shortly\u00a0before,\u00a0during,\u00a0after, 1974 (Molt abans, una mica abans, mentrestant, despr\u00e9s)<\/p>\n<p>&#8211; For\u00a0Clarence\u00a0Carter, 1974 (Per a\u00a0Clarence\u00a0Carter)\u00a0En els anys 60\u00a0Clarence\u00a0Carter\u00a0va gravar un disc titulat \u201cPatches\u201d\u00a0(Pegats).<\/p>\n<p>&#8211; Equator\u00a0in\u00a0five\u00a0, 1975 (l&#8217;Equador en cinc parts)<\/p>\n<p>&#8211; Eslip, 1975 (Relliscada)<\/p>\n<p>&#8211; Flip, 1975 (Invertit)<\/p>\n<p>&#8211; Shakers\u00a0Maquette, 1975 (Maqueta dels\u00a0Shakers)\u00a0Shakers: grup religi\u00f3s, 1774-1964, que va tenir el seu origen en\u00a0Massachusets\u00a0(Nova York) d&#8217;especials costums i forma molt simple de vida. Pengen les seves cadires en les parets.<\/p>\n<p>&#8211; Half-a-*dozen\u00a0boxs, 1975 (Mitja dotzena de caixes)<\/p>\n<p>&#8211; Momentary\u00a0Memento, 1973\/4 (Record d&#8217;un moment)<\/p>\n<p>&#8211; Protected\u00a0accident\u00a0(Accident protegit)<\/p>\n<p>&#8211; Dee,\u00a0Double\u00a0oh,\u00a0aah, 1973\/4 (Pu,\u00a0er,\u00a0ta)<\/p>\n<p>&#8211; Pixen\u00a0Model, 1974 (Model gasiu)<\/p>\n<p>&#8211; Els Dos Records, 1974. Joc fon\u00e8tic de l&#8217;autor en utilitzar la marca anglesa dels \u201ccaragols\u201d, R\u00e8cord, i la paraula Record en espanyol.<\/p>\n<p>&#8211; Habiti\u00a0or\u00a0Less, 1974 (M\u00e9s o Menys).<\/p>\n<p>&#8211; Closed\u00a0Thing, 1974 (Cosa Tancada)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2022\/lol\/044_1.jpg\" width=\"100%\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Sala Vin\u00e7on. Richard Wentworth. Esculturas. 1975<\/p>\n","protected":false},"author":1,"featured_media":11020,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224,147],"tags":[],"class_list":["post-11019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1976-ca","category-exposiciones-la-sala-vincon-ca"],"_links":{"self":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/11019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/comments?post=11019"}],"version-history":[{"count":3,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/11019\/revisions"}],"predecessor-version":[{"id":14446,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/11019\/revisions\/14446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/media\/11020"}],"wp:attachment":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/media?parent=11019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/categories?post=11019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/tags?post=11019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}