{"id":10715,"date":"1974-01-08T20:00:44","date_gmt":"1974-01-08T20:00:44","guid":{"rendered":"https:\/\/www.lasalavincon.com\/etnografia-eulalia-1974\/"},"modified":"2022-03-21T08:00:59","modified_gmt":"2022-03-21T08:00:59","slug":"etnografia-eulalia-1974","status":"publish","type":"post","link":"https:\/\/www.lasalavincon.com\/ca\/etnografia-eulalia-1974\/","title":{"rendered":"016 &#8211; Eul\u00e0lia. Etnograf\u00eda (1974)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/016.0a.jpg\" width=\"100%\" \/><\/p>\n<h1>Etnograf\u00eda<\/h1>\n<h2>Eul\u00e0lia<\/h2>\n<h3>08\/01\/74. (Sala 016)<\/h3>\n<p>Eul\u00e0lia Grau presenta una s\u00e8rie de treballs en els que utilitza la iconografia pr\u00f2pia dels mitjans de comunicaci\u00f3 del moment. Eul\u00e0lia utilitza fotografies procedents dels mitjans de comunicaci\u00f3, que recontextualitza i posa en di\u00e0leg per a obtenir missatges socials molt cr\u00edtics. Els jocs d\u2019imatges es desenvolupen a diferents nivells. De vegades el treball \u00e9s complex, utilitzant la contraposici\u00f3 de diverses imatges, unes descontextualitzant a les altres per arribar a la mofa. En altres treballs, en t\u00e9 prou amb la introducci\u00f3 d\u2019una simple imatge aliena a la imatge\/an\u00e8cdota principal per aconseguir aquest efecte.<\/p>\n<p>Exemple del primer cas, una obra composta per 4 registres, subdividits en 4 caselles, en les que interrelaciona casa, jardins, policia, dones boniques.<\/p>\n<p>Exemple del segon cas, el treball que es va utilitzar per al cartell, el qual hi ha una \u00fanica escena: l\u2019interior d\u2019un modern avi\u00f3, amb dues somrients hostesses i una gran taula en primer terme, amb gran desplegament de menjar i beguda. Eul\u00e0lia s\u2019ha limitat a col.locar la fotografia d\u2019un home pobrament vestit, davant la taula, amb gest perplex.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.lasalavincon.com\/wp-content\/uploads\/2019\/img\/016.0b.jpg\" width=\"100%\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Sala Vin\u00e7on. Eul\u00e0lia. Etnograf\u00eda. 1974<\/p>\n","protected":false},"author":1,"featured_media":10716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[216,147],"tags":[],"class_list":["post-10715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1974-ca","category-exposiciones-la-sala-vincon-ca"],"_links":{"self":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/10715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/comments?post=10715"}],"version-history":[{"count":4,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/10715\/revisions"}],"predecessor-version":[{"id":12897,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/posts\/10715\/revisions\/12897"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/media\/10716"}],"wp:attachment":[{"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/media?parent=10715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/categories?post=10715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lasalavincon.com\/ca\/wp-json\/wp\/v2\/tags?post=10715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}